UNIT 3
Shaping Texts: From Essay and Narrative to Memoir
BEND I ♦ Generating Ideas about Our Lives and Finding Depth in the Moments We Choose
Session 1 – What Makes a Memoir?
Chart: What We Notice About Memoir
Essay: "Quietly Struggling"
Homework: Studying Published Memoir and then Revising Your Own Entry
Session 2 – Interpreting the Comings and Goings of Life
Homework: Exploring Patterns in Our Lives
Session 3 – Writing Small about Big Topics
Homework: Complex Texts Contain More than One Central Idea
Session 4 – Reading Literature to Inspire Writing
Chart: When Reading Another Author's Text, Writers Are Often Inspired By
Homework: Collecting Memories
Session 5 – Choosing a Seed Idea
Chart: Steps to Finding and Growing Seed Ideas
Ways to Push Our Thinking, Version 2 (from The Literary Essay: Writing About Fiction)
Chart: Strategies for Writing with Depth
Homework: Go Off the Beaten Path
Session 6 – Expecting Depth from Your Writing
Chart: Strategies for Writing with Depth
FIG. 6–1 Max's entry about pressure
FIG. 6–2 Max's entry about his grandma
Homework: Continuing to Think About Topics from Different Perspectives
BEND II ♦ Structuring, Drafting, and Revising a Memoir
Session 7 – Studying and Planning Structures
Essay: "Quietly Struggling"
Memoir Writing Checklist
Homework: Researching for Memoir
Session 8 – The Inspiration to Draft
Memoir Writing Checklist
Student Sample: Adam's initial draft about his brother (FIG. 8–4)
Homework: Conferring with Yourself to Make a Writing Plan
Session 10 – Revising the Narrative Portion of a Memoir
Homework: Revising to Convey Meaning
Session 11 – Editing for Voice
Editing Checklist
Homework: Reading Our Work Aloud
BEND III ♦ A Second Memoir
Session 12 – Seeing Again, with New Lenses: Interpreting Your Own Story
Chart: Ways to Structure a Memoir
Homework: Generating Material Related to Your Seed Idea
Session 13 – Flash-Drafting
Homework: Rereading through the Lens of Meaning
Session 14 – Revising the Expository Portion of a Memoir
Essay: "Quietly Struggling"
Homework: Rereading through the Lens of Balance
Session 15 – Reconsidering the Finer Points
Sample Student Work: A Family Portrait, by Miles
Chart: Transitional Phrases – Moving From Exposition to Narration
Homework: Unpacking Big Meaning from Tiny Events
Session 17 – Metaphors Can Convey Big Ideas
Homework: Describing Our Writing Processes
Session 18 – Editing to Match Sound to Meaning
Homework: Using the Sound of Language to Convey Meaning
Session 19 – An Author's Final Celebration: Placing Our Writing in the Company of Others
FIG. 19–1 Adam's final draft
FIG. 19–2 Emily's final draft
FIG. 19–3 Henry's final draft
FIG. 19–4 Tyler's final draft
FIG. 19–5 Ali's final draft